Generator

The oldest book cuts the paper — the senbazuru cuts generator

A generator in the who found it, and when library, called 32 times across 5 essays. Below: what it draws at its defaults and at the arguments the essays give it, what it checked while drawing, and everywhere it is used.

senbazuru-cuts is one function. Everything below came out of it during this build, at arguments taken from the essays rather than invented for this page — so a figure here is the same figure a reader meets in an essay, and when the generator changes, this page changes with it.

At its defaults

The oldest book cuts the paperThe connected cranes of 1797, as the sheet they are cut from: a grid slit along every internal line except at the lattice points, which are left uncut so the birds stay joined. The arrangement is one sheet and it is emphatically not uncut, and the slitting per crane grows with the size of the piece.3×3 — 9 cranes, 4 corner joinsone sheet, and cut2×2 4 cranes 4 sides of slit3×3 9 cranes 12 sides of slit4×4 16 cranes 24 sides of slit5×5 25 cranes 40 sides of slit6×6 36 cranes 60 sides of slitcranes − joins = 2n − 1the rule the subject is usually stated under is one sheet and no cuts; theoldest surviving origami book does not keep it

view: "local", show: "split", grids: [3, 4, 5, 6]

Nearly every cutting that fails, fails at one craneEvery subset of the joins in a slit grid of cranes, sorted by how it fails. Almost every failing subset leaves some crane held by no join at all, which is visible at that crane alone. The few that pass that local test hold together less often as the grid grows.two ways to come aparta crane left hanging, or every crane held and the piece still in islandsgridsubsetsnothing hangingholds togetherfailures localheld, of those passing3 × 34 joins1611100.0%100.0%4 × 49 joins512322197.8%65.6%5 × 516 joins65,5361,21578599.3%64.6%6 × 625 joins33,554,432260,625141,62199.6%54.3%a crane hangs from nothing when none of the joins at its four corners is kept — one crane, four points, no search

view: "local", show: "held", grids: [3, 4, 5, 6]

What the look at each crane leaves undecidedOf the subsets of joins that leave no crane hanging, the share that actually keep the piece in one object, for grids from three by three to six by six. It is all of them at three by three and falls to a little over a half at six by six.the bar is the share of locally sound cuttings that hold togethersound means every crane keeps at least one of the joins at its corners3 × 3100.0%1 of 1 with nothing hanging4 × 465.6%21 of 32 with nothing hanging5 × 564.6%785 of 1,215 with nothing hanging6 × 654.3%141,621 of 260,625 with nothing hangingthe local test is necessary and its share of the answer shrinks as the grid grows

grids: [2, 3, 4, 5, 6], show: 4

The oldest book cuts the paperThe connected cranes of 1797, as the sheet they are cut from: a grid slit along every internal line except at the lattice points, which are left uncut so the birds stay joined. The arrangement is one sheet and it is emphatically not uncut, and the slitting per crane grows with the size of the piece.4×4 — 16 cranes, 9 corner joinsone sheet, and cut2×2 4 cranes 4 sides of slit3×3 9 cranes 12 sides of slit4×4 16 cranes 24 sides of slit5×5 25 cranes 40 sides of slit6×6 36 cranes 60 sides of slitcranes − joins = 2n − 1the rule the subject is usually stated under is one sheet and no cuts; theoldest surviving origami book does not keep it

What it checked while it drew

Collected by running this generator with a listener on the assertions, not written here. The count is how many separate times this build put that claim to the test.

Where it is called

Changing this generator changes every figure on this list, which is what makes the list worth publishing rather than keeping in a check script.

Nearly every cutting fails at one crane

Six by six connected cranes have twenty-five joins and thirty-three million ways to keep some of them, and an exhaustion over all of them takes a fifth of a second. Of the 33,412,811 that fail, 99.64 per cent fail at a single crane — one left holding none of the joins at its corners — which a maker can check by looking at each crane in turn. The arrangements that pass that check hold together less often as the grid grows: all of them at three by three, 54 per cent at six by six.

The border is where the cranes come apart

Counted one join at a time rather than one subset at a time, the slit grid of connected cranes runs to twelve by twelve, where there are 2¹²¹ ways to keep some of the joins. Among the cuttings that hold every crane by something, the share that also hold together keeps falling — 54.3 per cent at six by six, 35.1 at twelve — and from eight by eight on it falls by the same factor at every size. A constant factor is the signature of the border: at six by six, 99.5 per cent of the sound cuttings that come apart do so through a stray piece touching the outermost ring of joins.

The oldest book cuts the paper

The Hiden Senbazuru Orikata of 1797 is the earliest surviving book of recreational paper folding, and its famous connected cranes are made by slitting one sheet into a grid. The founding rule of the modern subject is younger than the tradition it claims to describe.

The prediction held at eight and broke at ten

A join in a slit grid of cranes merges at most four pieces, so n² cranes need at least ⌈(n² − 1)⁄3⌉ joins, and exhaustion found four and six by six meeting that floor in exactly one way. The guess was that eight by eight would too, with twenty-one joins. Counted a join at a time, it does — twenty-one, one way. Ten by ten does not: it needs thirty-four against a floor of thirty-three, and has 7,076 ways to spend them. The grids that meet the floor with no merge to spare are four and eight by eight among every size to fourteen, and sixteen by sixteen by construction, because a perfect tree of joins on a grid twice as wide is four perfect trees and one join in the middle. The even grids were never the pattern; the doublings are.

Which cranes can stay joined

The 1797 book slits a square into a grid and leaves the cranes attached at the interior lattice points, each of which holds four of them at once. Of the sixteen ways to choose which of a three-by-three's four points to leave joined, exactly one leaves the piece in a single object — and it is the one that uses all four. The cutting is very nearly forced rather than chosen.

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