Tolerance — the series
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Error is folded too
A folded position is a composition of reflections, and a reflection in a line that is slightly off turns everything beyond it by twice as much. So an error does not stay where it was made — and whether it grows with the crease count or with its square root depends on whether it is the same error every time.
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Nowhere to put the error
Paper takes a misplaced crease and spreads it along its whole length as a curvature nobody notices. A panel is flat by definition and cannot, so the error arrives at the hinge — and the room to receive it is a length that has to be drawn, is paid for in fold angle, and has to grow with the crease count.
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Where an error goes
A misplaced crease in a folded sheet has to be paid for somewhere, and this subject has two answers already — the error is folded too, and the hinge is where it ends up. There is a third. In a quadrilateral mesh a mistake in one row has no consequence in that row at all: it is felt by the columns, which is to say by every other row on the sheet.
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Solved is not built
A mesh that folds because an equation holds and a mesh that folds because one crease family runs straight through every vertex are not two examples of the same thing. Cut a Miura's every dimension five per cent wrong and it still folds exactly. Cut a solved general mesh a fifth of a millimetre wrong on a 150 mm sheet and the closure is gone.
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A tolerance is a direction
Cut a solved mesh a fifth of a millimetre wrong and its closure is gone. That is true of the errors it was tried with and false of errors in general: the solutions form a surface sixteen directions wide, an error along it costs five thousand times less than the same error across it, and the fifth of a millimetre is the allowance in one direction out of twenty.
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The allowance is spent at the end
A tolerance on a solved mesh was priced at one fold angle, because that is where a tolerance is priced. The surface of solutions turns out not to move as the sheet folds — the free directions at a third of a radian are the free directions at two and a half, to twelve figures — and the price of leaving it rises by a factor of thirteen along the way.
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How deep is a crossing
A crossing is a verdict with no middle: two creases either pass through one another or they do not, and the first makes a pattern unfoldable while the second leaves it untouched. Measured on the patches where they occur, the shallowest crossing runs 0.16 mm past the end of the crease it meets, on a sheet 150 mm across. Five of the forty-seven are under half a millimetre, which is thinner than the line a pencil draws.
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A stub is never alone
A crossing is a crease running past another and it has a depth. A stub is a crease that simply stops, and it has one too — how far from the rim it stopped, which is also how much shorter than a crease it is. Measured across a hundred and twenty drawings: sixty-six stubs, from 0.27 mm to 35 mm at printed size, every one of them paired with another at exactly the same distance, and not one on a drawing that did not already have a crossing.
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Two faults, not four
A drawing departs from its crease list in four named ways — a crossing, a stub, a junction and a fragment — and a checker tests for all four. Counted side by side on two hundred and forty drawings, two of the tests find nothing the others do not. No crease anywhere ends on another crease: every junction the reading finds is a crease meeting the rim, which is where creases are meant to end. Every stub is on a drawing that already has a crossing. What is left is two independent faults, and the clipped construction, which makes no crossings, still makes the second — creases a thousandth of a millimetre long, in pairs.