Generator

A shrink is two numbers — the folded footprint generator

A generator in the tessellations library, called 49 times across 8 essays. Below: what it draws with nothing specified and with the settings the essays give it, what it checked while drawing, and everywhere it is used.

folded-footprint is one function. Everything below was drawn by it when the site was last published, at settings taken from the essays rather than invented for this page — so a figure here is the same figure a reader meets in an essay, and when the generator changes, this page changes with it.

With nothing specified

A shrink is two numbersEvery pattern placed by how much it draws the sheet in along each axis. A corrugation sits on the line where one direction is untouched; a twist sits on the diagonal, drawing in equally both ways; the Miura sits off both, which is the whole of what makes it a Miura rather than a pleat.24682468times shorter across the sheettimes shorter down itaccordionMiuraleaf corrugationYoshimurasquare twistwhat each one doesaccordion8.00× across, 1.00× downMiura2.73× across, 1.75× downleaf corrugation3.57× across, 1.22× downYoshimura4.00× across, 4.00× downsquare twist1.52× across, 1.52× downthe dashed line is a directionthe fold never touchesone direction untouched: 1 of 5 · equal both ways: 2 · neither: 2the single number a corrugation is usually quoted by is these two multiplied together

view: "modules", show: "table"

Cutting a Miura across its columnsA Miura 16 columns by 4 rows cut along its zigzag lines into one to 16 modules, each folded flat and all stacked in one box: the box's length, the depth of the stack, the hinges left and the hinges each layer of compaction costs, and the actuators the modules need.a 16 by 4 Miura cut along its zigzags into modules, folded and stackedslant 0.35; each module folds to its own box and the stacked modules share itmodulescolumns eachbox lengthlayers, stackedhingeshinges a layeractuators1166.55111.01089.791283.80819.71045.292442.43632.6962.954821.75048.3801.6681611.40764.0480.7516a cut removes one zigzag's hinges and adds one module to drive; the box and the hinges a layer both fall

view: "modules", show: "table", C: 8, R: 8, ks: [1, 2, 4, 8]

Cutting a Miura across its columnsA Miura 8 columns by 8 rows cut along its zigzag lines into one to 8 modules, each folded flat and all stacked in one box: the box's length, the depth of the stack, the hinges left and the hinges each layer of compaction costs, and the actuators the modules need.a 8 by 8 Miura cut along its zigzags into modules, folded and stackedslant 0.35; each module folds to its own box and the stacked modules share itmodulescolumns eachbox lengthlayers, stackedhingeshinges a layeractuators183.80819.71125.691242.43632.61043.192421.75048.3881.824811.40764.0560.888a cut removes one zigzag's hinges and adds one module to drive; the box and the hinges a layer both fall

view: "modules", show: "reliability"

What a cut buys, and what its actuator costsFor a 16 by 4 Miura cut along its zigzags into modules, each with its own actuator, the chance that every hinge and every actuator works (solid) and the share of the area expected to open (dashed), with hinges that work 0.999 of the time and actuators three ways. The expected share rises with every cut; whether the chance of complete success rises depends on how an actuator compares with a zigzag's worth of hinges.a 16 by 4 Miura in modules: the chance that all of it opens, and the share expected tohinges work 0.999 of the time; solid: everything opens; dashed: the share expected to open0.8000.8500.9000.950101234modulesprobabilityactuators 0.9999actuators 0.999actuators 0.99a cut removes 4 hinges and adds an actuator; an actuator that works 0.99 of the time fails as often as 10.0 hinges

What it checked while it drew

Collected while it drew, not written by hand. The count is how many separate times that claim was put to the test.

Where it is called

Every figure listed here is drawn by the same rule, so a mistake in the rule would be in all of them at once, and so would a correction.

A cut along the zigzag needs a tether

A Miura's folded stack walks along itself by the sine of its slant for every column, so a sheet cut along its zigzags into modules folds into boxes a fraction as long and stacks far deeper for the hinges. But the pieces cannot stay joined by a crease: a zigzag crossed by row creases is a line of four-crease vertices, and joined there the modules are the one Miura again. The join has to be a tether and every module its own actuator — and a cut, which removes a zigzag's worth of hinges, pays for itself in complete success only when an actuator fails less often than those hinges together.

A sheet that turns with the twist

Holding a different panel of a folded twist can give a different pair of shrink factors: on a square sheet the three- and six-sided twists gave two pairs each and the five-sided twist five. Cut each twist from a regular sheet of its own number of sides and every panel gives the same pair. The reason is a count of rotations. A K-sided twist's panels hold its folded state in frames that are multiples of 180⁄K or 360⁄K degrees; a sheet that shares g of the twist's rotations makes the widths agree in every frame those rotations reach, with the half-turn a width cannot see thrown in. On twenty-two pairs of twist and regular sheet, that count gives the exact number of answers every time — a hexagon twist on a triangle gives one, a pentagon twist on a square five.

A shrink is two numbers

How much smaller a folded sheet gets is quoted as a single factor, and that factor is a product. Measured along each axis separately, an accordion turns out to leave one direction of the paper exactly alone, a twist draws in equally both ways, and the Miura does neither — which is the whole of what makes it a Miura.

Every panel holds a frame

A flat-folded pattern can be put down on any of its panels, and on some patterns the pair of shrink factors changes with the choice. Holding a panel does not move the paper so much as turn the frame it is measured in, by twice the alternating sum of the crease directions crossed to reach that panel — a number Kawasaki's condition makes independent of the route. So the frames are read off the crease pattern before anything is folded. A pattern with one frame gives one answer whatever its folded shape; the five-sided twist has five frames and five answers; and the four-column Miura agrees on every panel although its folded strip is not its own mirror image, because a box cannot tell a shape from its half-turn.

The cylinder the pattern chooses

A Yoshimura pattern folds into a tube, and the tube's diameter is not a property of the paper. The course of diamonds has to go round exactly once, so the sheet's width is spent on the circumference the moment the columns are drawn — and what a larger sheet buys is a longer tube, never a fatter one.

The direction that gets longer

A shrink factor below one is a direction in which the folded sheet is bigger than the flat one, and the leaf corrugation has one. The cause is not the taper and not the angle: a corrugation's folded extent across its own creases is a constant of the cell, the same number at two rows and at ten, so the cross factor is the sheet's height divided by a fixed length — a straight line through the origin that crosses one at a definite row count.

The folded strip lies at its own slant

The two directional factors read a folded state against the axes the pattern was drawn on, with its first panel held where it was drawn. A flat-folded Miura is not lying along those axes: it is a strip of fixed width laid at exactly its own slant to them, and the leaf corrugation's strip lies at exactly its zigzag. So the Miura's cross factor changes with the number of columns — 1.748 on four, 0.948 on ten, at one slant — and on the leaf, on every Miura with an odd number of columns and on the twists of three and six sides, it changes with which panel is held. Read without axes, both families compact least at 0.80 radians, not at the 1.05 the box on the axes reports.

The plane the five points were in

Five corrugations measured at one setting each gave five points, and the space between them was left as an open question: forbidden, or merely unvisited. Every one of those patterns has a dial nobody turned. Turned, they trace curves — the accordion's is a line with integers on it, the square twist's is the diagonal and nothing else, and the Miura's turns round on itself, so a steeper slant stops buying a smaller sheet.

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