Generator

A strip slid into a finished pattern

A generator in the designing a base library, called 55 times across 9 essays. Below: what it draws with nothing specified and with the settings the essays give it, what it checked while drawing, and everywhere it is used.

graft-strip is one function. Everything below was drawn by it when the site was last published, at settings taken from the essays rather than invented for this page — so a figure here is the same figure a reader meets in an essay, and when the generator changes, this page changes with it.

With nothing specified

A strip slid into a finished patternA crease pattern cut along a line, with a strip of paper slid into the gap. Every crease that meets the cut continues across the strip at the same angle; every crease that does not is carried along at the length it had. The shaded band is the whole of what the new feature cost.the design as it stood20.00 of paper · 5 creases meet the cutthe same design, one strip wider21.80 of paper · the strip is 0.45 acrossthe band is 0.45 × 4 = 1.8000, and that is the entire difference between the two patternsall 44 creases away from the cut keep their length; the 5 that cross it are longer by 0.45 and by nothing elsea design grows by accretion because the arithmetic of growing it is this short

view: "admits", show: "diagonals"

What a diagonal costs a design that wants to growOn a 6 by 6 grid, how many lines a strip could be slid into as diagonal creases are added, for three ways of placing the same diagonals: no two sharing a row or a column, all in a single row, and dropped at random. The spread placement spends two lines per diagonal and the gathered one spends far fewer.a 6 by 6 grid, and the lines it still admits a strip onthe same diagonals placed three ways — the count is of lines, not of creases05100123456diagonal creases in the patternlines a strip could be slid into, both directionsno two in a row or a columnall in one rowdropped at randoma diagonal costs the row and the column it sits in, so a design that keeps its diagonals in a few rows keeps its lines clear

view: "admits", show: "census"

Where each pattern can take a stripFor every printed pattern, and for a plain grid with and without one diagonal crease, how many of the lines between its columns of vertices and between its rows of vertices a strip could be slid into, and so in which directions a feature can be grafted at all.the lines a graft could useevery gap between vertex columns, and every gap between vertex rows, triedpatternvertical lineshorizontal linesgraftsThe preliminary base0 of 20 of 2nowhereThe Miura fold6 of 130 of 4one wayThe square twist0 of 60 of 6nowhereThe hexagon twist0 of 42 of 11one wayThe Yoshimura pattern0 of 120 of 5nowhereFold and cut — the triangle2 of 82 of 8both, in margin onlyThe tapered corrugation7 of 150 of 4one wayThe waterbomb tessellation0 of 80 of 8nowherea 4 by 4 grid4 of 44 of 4both waysthe grid, one square creased diagonally3 of 43 of 4both waysa line is admissible when every crease it crosses is square to it; the entry is admissible of the lines between vertex columns or rows

view: "admits", show: "diagonals", grid: 8, upTo: 8

What a diagonal costs a design that wants to growOn a 8 by 8 grid, how many lines a strip could be slid into as diagonal creases are added, for three ways of placing the same diagonals: no two sharing a row or a column, all in a single row, and dropped at random. The spread placement spends two lines per diagonal and the gathered one spends far fewer.a 8 by 8 grid, and the lines it still admits a strip onthe same diagonals placed three ways — the count is of lines, not of creases051015012345678diagonal creases in the patternlines a strip could be slid into, both directionsno two in a row or a columnall in one rowdropped at randoma diagonal costs the row and the column it sits in, so a design that keeps its diagonals in a few rows keeps its lines clear

What it checked while it drew

Collected while it drew, not written by hand. The count is how many separate times that claim was put to the test.

Where it is called

Every figure listed here is drawn by the same rule, so a mistake in the rule would be in all of them at once, and so would a correction.

A design that keeps its lines clear

A strip can be slid in only along a line every crossed crease meets square, so a diagonal crease spends the lines it crosses — and the census of eight printed patterns found four taking no strip in either direction. What decides how fast a design spends them is not how many diagonals it has but which rows and columns they sit in: six diagonals on a six-by-six grid leave twelve clear lines when they share a row and none at all when no two do, from the same six creases and the same amount of paper.

A graft needs a square line

A strip can be slid into a finished crease pattern only along a line every crossed crease meets square, because only such a crease continues across the strip as itself. Tried on every line between the vertex columns and rows of eight printed patterns, four take no strip in either direction and three take one in a single direction. The eighth, the fold-and-cut triangle, appears to take strips both ways, and every line it admits runs through blank margin. No printed pattern takes a strip across its creases in both directions — and one diagonal crease in a plain grid removes exactly the row and the column it sits in.

A grid chosen before the features

A designer fixes a box-pleating grid before knowing what will be grafted into it, so the question is what a grid costs in expectation. For widths nobody chose — spread evenly over many spacings — rounding up costs exactly half a spacing a strip on every grid, prime or composite: the sawtooth of any one design averages away, and the familiar bound on the rounding bill is twice its expected value. Divisors earn a discount only when the widths are themselves simple fractions of the sheet, and then 24 and 48 beat 16 and 32. A latitude changes the question entirely. Allowed to fall short by δ, every strip saves exactly δ on average, so the grid 1/(2δ) holds features at no expected cost — but a particular design keeps its sawtooth.

A spacing costs one plus the other side

Rounding a grafted strip up to a whole number of grid spacings is the standard remedy for a width the grid cannot hold, and with strips in one direction it costs the rounding times the cut. With strips both ways it costs more, because the crossing term is the product of the two families' totals: a spacing added across is charged once against the sheet and again against every strip running down. The same arithmetic makes the bill uneven in the grid — ten divisions beat every grid from eleven to eighteen on one design — and puts two families exact on their own grids at their least common multiple.

Paying in paper

A feature added to a finished design costs exactly the paper inserted for it. Cut the crease pattern along a line, slide in a strip, and every existing crease continues across it unchanged — so the bill is the strip's width times the length of the cut, and there is no second term.

Six rectangles and one term

Two grafted strips crossing leave one rectangle both features are charged for and neither uses. Three strips crossing two leave six, and the obvious budget adds them up. It does not have to: the six rectangles sum to the product of the two families' total widths, exactly, so a design with any number of features is priced by two numbers rather than by a double sum — and a family of strips in one direction alone carries no crossing term at all, however many of them there are.

The second term

A feature grafted into a finished design costs exactly the paper slid in for it, and the bill has one term. Add a second feature across the first and it has two: the rectangle where the strips cross is paper both features are charged for and neither uses. At a strip a fifth of the sheet wide it is nine per cent of the bill; at four fifths it is nearly a third.

The split that is worst on a rectangle

Two families of grafted strips share an allowance of shortfall, and the bill is a product of two sides whose sum the allowance fixes. So where the allowance goes is a question about a rectangle with a set perimeter: its area is largest when level and smallest when lopsided. On a sheet that may be any rectangle the split that levels the sides is the dearest there is, and it is barely dearer, because the gap enters squared. On a square sheet the same split is the cheapest, and the gap enters to first order, ninety-four times as heavily on five features. On a grid the first answer dissolves — the strip nearest a line decides, not the family — and the second does not.

The width is charged in grid

A grafted strip may be any width at all and the bill in paper is exactly width times length, with no second term — which is what the first of these essays established, and is a statement about area. The grid is a different property of the same pattern and it is not conserved: a strip whose width is not a whole number of spacings puts every vertex past the cut onto a finer grid, and a width four per cent away from a spacing divides the grid by twenty-five where a width half a spacing away divides it by two. A width nearly right costs far more than one plainly wrong.

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