Construction — where it appears
Named by 15 essays across 3 fields — each of them below, with the objects they name alongside it.
One fold at a time, and there are exactly seven of them
A fold is specified by bringing points and lines into coincidence. There are seven ways to do that, the list is provably complete, and one of the seven does something no compass can.
Any tiling makes a twist
A twist tessellation is usually drawn, admired and copied. It can be derived instead: hand the construction any tiling of the plane and it returns a crease pattern that folds flat, with the twist polygons' shapes forced by the tiling's own angles and nothing left to choose but how large and how turned.
One crossing, and then another
Folding a strip into thirds by Fujimoto's method halves the error at every fold and never reaches a third. There is a construction that arrives instead: cross the square's diagonal with a line through the mark you already have, and the crossing lands on the next fraction exactly — one fold per step, all the way down.
One member of a family
A4 halves into A5 and keeps its shape, which is the one thing everybody knows about paper sizes. The property is not about halving and not about two: a rectangle in the ratio √n divides into n copies of itself, for every n, and every one of those rectangles can be folded out of a square one diagonal at a time.
Exact is not accurate
This site has two ways of dividing a strip into equal parts: a ladder that lands on the fraction as a rational number, and Fujimoto's method, which never arrives. Read as mathematics that settles it. Read as instructions for somebody with a sheet of paper it settles nothing, and past four parts the method that never arrives is the one whose crease lands nearer the mark.
The sheet decides which points exist
Every measurement of what folding can locate has been made on a square, because origami paper is sold square. Hold the area fixed and change the proportion: one fold reaches nine marks on a square and twenty-nine on the A-series rectangle, and two folds reach 565 against 45,705. The square is the worst of five proportions at both depths, and the reason is its own symmetry.
The axiom that names two folds
Bring one line onto another and the operation is satisfied by either of two folds, always exactly perpendicular to one another, creasing the paper in completely different places. Over four thousand random line pairs on a square, both folds land on the sheet two thousand nine hundred and sixty-five times, and the statement of the axiom does not say which one is meant. The fifth axiom is worse: its two answers are at any angle at all, from half a degree apart to square.
How far from the nearest reference
One fold puts nine reference points on a square sheet and two folds put five hundred and sixty-five. That is sixty-three times as many points, and it brings the worst-covered spot on the paper from a third of a sheet away to a twelfth — four times closer. A count of references is not a measure of what a fold buys, because a set of points can be arbitrarily crowded and still leave most of the sheet out of reach.
One solution of a search nobody ran
A crease pattern arrives with its letters already on it, and they look like part of the drawing. They are not. Every construction here ends in a propagation, a propagation ends wherever its first guess took it, and the lettering that comes out differs from the one a search finds on between a half and three-fifths of the creases — on patterns whose own letters are perfectly good.
Which of the seven survive
The seven axioms are the complete list of ways one fold can be specified by aligning marked things. Every one of them names points and lines on a sheet, three of them quietly assume that a line has two sides, and on a closed sheet a line need not — so the list is complete for a disc and shorter for anything else.
A reference on a sheet with no corner
Every construction in this subject begins from the sheet's own boundary: two edges meet at a corner, a corner is a point, and a point is what an axiom takes as input. A cylinder has two circles of edge and no corners at all, so a construction on one has nothing to start from and the seam is not a mark.
A construction assumes its sheet
Haga's fold gives exactly two thirds on a square. Run the same alignment on an A-series sheet held tall and it gives exactly two sevenths, with the crease meeting the vertical edges at seven sixteenths and eleven sixteenths — every one of them a clean fraction, none of them what the recipe promised. Turn the same rectangle through a right angle and the crease leaves the paper instead, which is the loud failure rather than the quiet one.
A stretch keeps crossings
A rectangle is a square stretched along its edges, and a stretch along the edges keeps straight lines straight, crossings as crossings, midpoints as midpoints and the fraction a point divides a segment into. So a construction made only of those — halve an edge, cross two lines — lands at the same fraction of every rectangle, and four standard constructions do. A fold across a slanted line is a reflection the stretch does not keep, and every construction that uses one — Haga's, a corner halved, a corner brought to its opposite — returns a different point on some rectangle, or none.
One number where the corners wanted four
The twist construction gives a vertex a single side distance, and every account of these patterns does the same — it is what rotate-and-shrink means. The conditions never asked for it. Written out, the corner condition is one linear equation per pleat crease in the distances taken one per edge, so a degree-four vertex carries four unknowns against two independent equations. Given them back, the twelve sheared and stretched tilings that refused to fold all fold.
What the square saves
A construction made only of crossings, midpoints and folds along the edges lands at the same fraction of every rectangle, so its cost is one number for all of them. Counted crease by crease against every fold the first four axioms allow, that portability costs about a crease and three quarters a fraction up to twelfths — and the square is not the cheapest sheet to give it up for. An A-series sheet, where Haga's fold goes silently wrong, marks two sevenths in two creases; the square needs three, and any sheet at all needs five.
Named alongside it
The objects these essays reach for when they reach for this one.
Exact divisionReference pointPaper proportionRational divisionAxiomThe Huzita–Hatori axiomsSheet shapeHaga's theoremBoundaryConvergenceFold lineGluing