Repeating rule — where it appears
Named by 7 essays across 3 fields — each of them below, with the objects they name alongside it.
Sixty-four rules, sixteen fold
The Miura fold's letters are usually given as a recipe: rows one way, columns changing at every row. Write down every rule of that shape — the letter on a crease depending only on which row and which column it is in — and there are sixty-four. Sixteen fold flat. They are exactly the ones whose columns change at every row, the row letters do not matter at all, and every one of the forty-eight refusals is the counting theorem's alone.
The loop is in the rule
Of the forty-eight repeating rules that do not fold a grid corrugation, thirty-eight send four panels round in a circle and ten merely fail the count. Which is which can be read off three of the rule's six bits, without building the pattern, folding it or walking a single arrow — and the closed form agrees with the arrows on all sixty-four rules of both grid families.
Where a rule can close a loop
Three corrugation families have repeating rules whose letters send four panels round in a circle, and one has none at all. The one that has none is the one whose vertices are all of degree six — and the reason is that a straight line through a point carries a single letter under any repeating rule, while a strict alternation round six creases needs the two halves of that line to differ.
Half the recipe is decoration
Every account of the Miura fold gives its letters as two instructions: the rows go one way, and the columns change letter every time they cross a row. Enumerate all sixty-four repeating rules and the second instruction is the whole of the condition — all four ways of writing the rows appear among the sixteen that fold, in every combination. The first instruction has never constrained anything.
The leaf's rules are the Miura's
A plicate leaf packs into a corrugation that is broad in the middle and narrow at both ends. Enumerate every repeating mountain-valley rule it admits and the table is the Miura fold's table, rule for rule, number for number — and it stays that table when the leaf is redrawn with even columns, a violent taper, taller rows or a steeper zigzag. The plant's geometry cannot reach its own letters.
A recipe needs degree four
The Miura's letters are taught as a recipe of same-and-differ clauses, and the recipe is exact: the sixteen repeating rules that fold are precisely the rules two clauses allow. The Yoshimura's twenty-six cannot have such a recipe, because twenty-six is not a power of two. The waterbomb's thirty-two is a power of two and still has none — its clauses allow sixty-four rules and half of them fail. The difference is one vertex: at degree four the counting theorem leaves a parity, and at degree six it leaves 'not all alike', which no clause of that kind can say.
Two sentences for the Yoshimura
No recipe made only of same-and-differ clauses picks out the Yoshimura pattern's twenty-six folding rules, because its vertices have six creases. A recipe allowed one other kind of sentence does, and it is short: an even number of the four zigzag classes are mountains, and no course carries the letter all four zigzags share. That is three clauses, one parity and a prohibition for each of the pattern's two kinds of vertex, and it allows exactly the twenty-six. The waterbomb tessellation, with four kinds of six-crease vertex, needs three parities and only two prohibitions, because its parities do half the prohibiting.
Named alongside it
The objects these essays reach for when they reach for this one.
Maekawa's theoremAssignmentCorrugationMiuraDegree-fourNotationParityPedagogyLayer orderThe Yoshimura patternCertificateConvergence