Typical instances — where it appears
Named by 10 essays across 2 fields — each of them below, with the objects they name alongside it.
Which vertices are the random ones
Every measurement on this site that begins 'over 373 random degree-four vertices' is a statement about a population nobody declared. There is no canonical way to pick a crease pattern at random, four defensible ways of doing it disagree about the same three questions by factors rather than by margins, and the disagreement reaches a sentence this site has published as though it were general.
Four ways to draw a pattern
Every sentence here of the form over some crease patterns is a statement about a construction nobody declared, and it is worse than the same problem at a vertex because a pattern has a shape as well as angles. Four ways of producing a pattern that satisfies every condition disagree about how far it shrinks by a factor of twelve, about how much creasing it costs by a factor of six, and about how much of it is edge by a factor of two.
The cost is in the coincidences
How big an instance is, is what a hardness statement is about, and it is the weaker predictor of what deciding one costs. Hold the degree fixed and vary only how many of a vertex's sectors are equal: the work of deciding it rises by a factor of nearly three, against a factor of two for doubling the number of creases. The expensive instances are the ones a designer draws on a grid.
The crumple keeps its options
Every crease pattern this site prints has exactly one folded state and not one of its thirty-nine available rearrangements is legal. A sheet creased by folding it at random four times has an average of 2.16 folded states, one of them has nine, and six of three hundred and thirty-five rearrangements are legal. The sheet nobody designed is the one with room left in it.
The patterns a checker is tested on
This site keeps four populations of crease patterns and runs its checkers over them, which is what makes a claim about typical instances measurable rather than rhetorical. Asked whether the members actually fold, the populations answer: thirteen of thirty-three do, six place and cannot be ordered, five cannot be placed at all, and nine are past what the search will finish.
The order the refusals come in
This collection can say no to a crease pattern in five ways, and they cost wildly different amounts: a sweep over pairs of creases, a pass over the vertices, a walk over the panels, a pass over the crease list, and an enumeration of every ordering of the panels. Run all five over the thirty-three patterns in the four test populations and the cheapest refuses five, the most expensive refuses six, and the three in between refuse nothing at all.
Drawn by the same hand
Two straight segments dropped on a square cross about 23% of the time; four of them cross 74% of the time; twelve cross with certainty, about fifteen times over. Every crease pattern in this collection's four test populations has none — not because the checkers were catching them, but because the same rules that drew the patterns were incapable of producing one, and nothing looked until a construction finally did.
Four populations with nothing to separate
This collection keeps four standing populations of crease patterns to test its machinery against. Twenty-eight patterns, sampled forty times each for a lettering that agrees with itself and then searched for one — and on every single member the two methods return the same verdict in the same breath. The patterns that separate them are in none of the four, and the reason they are not is what the populations are for.
A population nobody chose
Five crease patterns were measured over and over because somebody had drawn five. Ninety-six drawn from a stated grid of tiling, turn and pleat width say something the five could not: nine of them have no consistent lettering at all, and the phenomenon the collection had spent so long measuring belongs to the one tiling the grid leaves out.
One population, four sheets
A population of patterns is a way of asking what is typical, and it has always been a population of drawings. Put the same drawings on four different sheets and the verdicts move — not because the drawings changed but because the sheet did, which means a population has two halves and only one of them was ever chosen.
Named alongside it
The objects these essays reach for when they reach for this one.
MeasurementDecision procedureNecessary conditionSamplingSearch costWorst-case analysisCrease patternCrimpingCrossingEvidenceFolded stateLayer order