Poisson's ratio — where it appears
Named by 5 essays across 2 fields — each of them below, with the objects they name alongside it.
A sheet with one freedom
A Miura-folded sheet can move in exactly one way. Pull it open in one direction and it opens in the other — a negative Poisson's ratio, arriving entirely from the crease pattern and not at all from the paper.
A material made of creases
A folded sheet has a Poisson's ratio, a stiffness and a packing behaviour that the flat sheet did not. None of them belong to the paper — they belong to the pattern, and changing the pattern changes them without changing the material at all.
A property you can dial
Steel has one Poisson's ratio. A Miura-folded sheet has a surface of them, and where on that surface it sits is set by the panel shape and by how far it happens to be folded — which is why it is a mechanism rather than a material.
Bought with holes
A Miura-folded sheet gets wider as it is pulled, and by how much depends on its panels and on how far it happens to be folded. A sheet cut into squares joined at their corners does the same thing and holds the value at exactly minus one, everywhere in its motion — the same property, bought with different geometry, and paid for in holes.
The property a patch does not have
A folded corrugation is described as a material — a packing ratio, a stiffness, a Poisson's ratio — and every one of those is a statement about an unbounded medium. Fold the same tiling at six sizes on the same square and the compaction climbs from 3.89 layers to 4.79 as the share of units the rim cuts falls from nine tenths to four, and it has not settled at the fine end. The number a patch gives is the material's number minus its own boundary.
Named alongside it
The objects these essays reach for when they reach for this one.
AuxeticMetamaterialKinematicsPacking ratioTunabilityBoundary vertexDegrees of freedomDesign spaceFolded stateGeometric propertyHingeKirigami