Hinge — where it appears
Named by 4 essays across 2 fields — each of them below, with the objects they name alongside it.
Bought with holes
A Miura-folded sheet gets wider as it is pulled, and by how much depends on its panels and on how far it happens to be folded. A sheet cut into squares joined at their corners does the same thing and holds the value at exactly minus one, everywhere in its motion — the same property, bought with different geometry, and paid for in holes.
One cut short of falling apart
Everything a cut sheet can do is bought out of the material between the end of one cut and the start of the next. That material shrinks to nothing in a straight line as the cuts grow, and the sheet stays in one piece the whole way down — until the instant it does not, and then it is in six.
Thickness has a sign
Swap every mountain for a valley and back again. Kawasaki does not notice, Maekawa gets the same condition the other way round, the lemma still asks the two creases to differ, and the layers come out mirrored. Every theorem on this site is blind to which side of the paper it is looking at — and a hinge in a panel with depth is not. The fold closes one way and jams at nothing at all the other.
Thickness round a closed loop
Real panels have thickness, and every technique for accommodating it works by shifting a hinge off the ideal crease by a small amount. On a flat sheet the shifts accumulate outward and end at the edge. On a closed sheet they accumulate round a loop and have to come back to where they started, which is a condition none of the techniques was designed to satisfy.
Named alongside it
The objects these essays reach for when they reach for this one.
KirigamiManufacturingThe offset-panel techniqueThicknessAuxeticBoundaryConnectivityGluingIdealisationMaekawa's theoremMechanismMountain-valley