Hinge — where it appears
Named by 8 essays across 2 fields — each of them below, with the objects they name alongside it.
Bought with holes
A Miura-folded sheet gets wider as it is pulled, and by how much depends on its panels and on how far it happens to be folded. A sheet cut into squares joined at their corners does the same thing and holds the value at exactly minus one, everywhere in its motion — the same property, bought with different geometry, and paid for in holes.
One cut short of falling apart
Everything a cut sheet can do is bought out of the material between the end of one cut and the start of the next. That material shrinks to nothing in a straight line as the cuts grow, and the sheet stays in one piece the whole way down — until the instant it does not, and then it is in six.
Thickness has a sign
Swap every mountain for a valley and back again. Kawasaki does not notice, Maekawa gets the same condition the other way round, the lemma still asks the two creases to differ, and the layers come out mirrored. Every theorem on this site is blind to which side of the paper it is looking at — and a hinge in a panel with depth is not. The fold closes one way and jams at nothing at all the other.
Thickness round a closed loop
Real panels have thickness, and every technique for accommodating it works by shifting a hinge off the ideal crease by a small amount. On a flat sheet the shifts accumulate outward and end at the edge. On a closed sheet they accumulate round a loop and have to come back to where they started, which is a condition none of the techniques was designed to satisfy.
The rows are free
A Miura's hinges per layer of compaction were found to climb without a ceiling as the pattern is refined, and the footprint was blamed for growing with the sheet. Measured one direction at a time it grows in only one. Every band between two straight creases folds exactly onto the band before it, as an accordion's pleats do, and the folded box does not change at all as they are added. Every band between two zigzags walks the stack a step along itself, the sine of the slant each. So the hinges a layer costs settle as rows are added and climb as columns are, and the same sixty-four cells cost 1.94 hinges a layer laid out long in their rows and 16.14 laid out long in their columns.
A cut along the zigzag needs a tether
A Miura's folded stack walks along itself by the sine of its slant for every column, so a sheet cut along its zigzags into modules folds into boxes a fraction as long and stacks far deeper for the hinges. But the pieces cannot stay joined by a crease: a zigzag crossed by row creases is a line of four-crease vertices, and joined there the modules are the one Miura again. The join has to be a tether and every module its own actuator — and a cut, which removes a zigzag's worth of hinges, pays for itself in complete success only when an actuator fails less often than those hinges together.
Splitting insures only the failures that come alone
Three hundred hinges split among ten separately driven modules were found to open 96 per cent of their area on average against 73 for the same hinges as one mechanism. That gain rests on every hinge failing on its own. Let the same average failure rate arrive in a few bad deployments instead — a cold soak, a crushed stowage — and the one mechanism gains far more than its modules do, because a shared cause makes three hundred hinges behave like one. At one bad deployment in a hundred the lead is gone. A tether that passes a jam to its neighbour erodes it from the other side, and takes the chance of nearly all the area long before it takes the average. Neither touches the chance that everything opens.
A stack is a shared fate
Hinges that fold onto one segment of a folded stack share whatever happens to that segment. On a Miura every zigzag line puts one hinge from every row in the same place, so a sheet cut between its rows into five modules leaves every place in every module, and one jam anywhere stops all five. Cut between its columns, each place stays inside one module — except at the slants where two over the sine of twice the slant is an even whole number, the very slants that pile the stack evenly, where columns that far apart share places across the cut.
Named alongside it
The objects these essays reach for when they reach for this one.
DeploymentMiuraActuationDegrees of freedomFolded stateFootprintIndependenceKirigamiManufacturingThe offset-panel techniqueReliabilityThickness