Reflection — where it appears
Named by 9 essays across 4 fields — each of them below, with the objects they name alongside it.
One fold at a time, and there are exactly seven of them
A fold is specified by bringing points and lines into coincidence. There are seven ways to do that, the list is provably complete, and one of the seven does something no compass can.
A crease that curves
Bend a crease and the paper either side is forced into a shape nobody creased. The flat-folding theorems say nothing about it, because they are statements about straight creases meeting at a point.
Error is folded too
A folded position is a composition of reflections, and a reflection in a line that is slightly off turns everything beyond it by twice as much. So an error does not stay where it was made — and whether it grows with the crease count or with its square root depends on whether it is the same error every time.
The seam carries a sign
A loop of paper folds flat when it has an even number of creases round it. A Möbius band folds flat when it has an odd number. The drawing is the same in both cases, the creases are the same creases, and what changed is a factor of minus one contributed by the sheet rather than by anything drawn on it.
The band that needs an odd number
A Möbius band is the first sheet in this collection with one side, and the consequence is sharper than a reversed parity. Mountain and valley are defined relative to a side, so on a sheet with no consistent side a crease has no letter — and Maekawa's condition survives the loss while the assignment it is about does not.
Closure is not the identity
Walk a folded state from panel to panel, composing a reflection at every crease, and come back to where the walk started: the composition has to be the identity. That is the rule everybody states, and it is a special case. On a sheet whose edges are glued the walk does not come back to where it started, and what the composition has to equal is the gluing map.
Parity is not enough
A Möbius band needs an odd number of creases round it. Give it three, square across the strip, and it does not fold — nor does five, nor seven, nor any odd number at all. The counting argument is necessary and it is not close to sufficient, and the thing it cannot see is which way the creases point.
The triangle a strip becomes
A Möbius band of paper folds flat into an equilateral triangle, and the shortest strip that will do it is √3 times its own width. The number is not put in: the crease angles come out of a condition on their alternating sum, the positions come out of two linear equations, and the length is where the drawing stops fitting.
An alternating sum of angles
Kawasaki's condition says the sectors round a vertex alternate to a straight angle. A glued band has no vertices and obeys a condition of exactly the same shape: the crease angles have to alternate to a multiple of a straight angle. Two different quantities, two different sheets, one arithmetic — and in both cases what is being said is that a product of reflections came back the right way.
Named alongside it
The objects these essays reach for when they reach for this one.
The Möbius bandGluingOrientabilityClosureFlat-foldabilityParityBoundaryIsometryNecessary conditionSector anglesTwo-colouringCompleteness