Rigid folding

Fourth of eight, and still not chosen for it

A deployable is sold on compaction: large in use, small in transit. Measured, the pattern that actually gets built converts folding into compaction at 0.67 sheet-widths of crease per layer, which is fourth of the eight printed patterns — nearly three times worse than the Yoshimura, which nobody deploys, and nearly three times better than the hexagon twist, which nobody deploys either. The ranking does not pick out the pattern that flew from anywhere on the shelf, and that is the finding.

Assumes Folding that gets built and A sheet with one freedom.

Folding that gets built lists what deployables are for: solar arrays, airbags, stents, starshades, and always the same requirement — large in use, small in transit, along a path nobody has to trust to chance. The first two thirds of that sentence is a ratio, and a ratio invites a comparison.

Here is the comparison, and the pattern that flew comes fourth.

What a sheet-width of crease is worth in layersThe total folding length of each printed pattern divided by the compaction it achieves — the average number of layers over its folded footprint. Low is efficient. The Yoshimura converts crease into layers about three times better than the Miura does, and the Miura sits fourth of eight.the bar is sheet-widths of crease per layer of compactionshorter is a better exchange rate, and the order is nothing like the order aboveThe Yoshimura pattern0.2314.0 of crease · 60.0 layersThe waterbomb tessellation0.4514.3 of crease · 31.5 layersThe preliminary base0.604.8 of crease · 8.0 layersThe Miura fold0.676.2 of crease · 9.2 layersThe tapered corrugation0.796.6 of crease · 8.3 layersFold and cut — the triangle1.451.7 of crease · 1.2 layersThe square twist1.564.7 of crease · 3.0 layersThe hexagon twist1.886.1 of crease · 3.3 layersa corrugation pays less per layer than a base does, and the difference is not small
Fig. 1 Each printed pattern’s total folding length divided by the compaction it achieves — the average number of layers over its folded footprint. Low is efficient. The Miura is in the middle of the list, and nothing on either side of it is a deployable.

The two numbers

Compaction is the sheet’s area divided by the footprint it packs into, which is the same thing as the average number of layers over that footprint. It is measured off the folded state by sampling, and the sampling is checked against a quantity known exactly — the layer count integrated over the footprint has to come back as the sheet’s area.

Folding length is the total length of crease in the pattern, in sheet widths, summed from the pattern’s own coordinates with the boundary excluded and divided by the pattern’s own width. That last divisor is not a detail: a length needs a scale, and without it these essays reported the Miura at six times its folding length for four earlier essays and this essay drew the wrong conclusion from it.

Divide the second by the first and the result is sheet-widths of crease per layer of packing.

pattern crease compaction crease per layer
the Yoshimura pattern 14.0 60.0 0.23
the waterbomb tessellation 14.3 31.5 0.46
the preliminary base 4.8 8.0 0.60
the Miura fold 6.2 9.2 0.67
the tapered corrugation 6.6 8.3 0.79
fold and cut, the triangle 1.7 1.2 1.45
the square twist 4.7 3.0 1.56
the hexagon twist 6.1 3.3 1.88

The Miura is fourth. It is 2.9 times worse than the Yoshimura, 2.8 times better than the hexagon twist, and within twenty per cent of the two patterns immediately above and below it.

What a middling rank means

A ranking is useful when it separates. This one does not.

Three patterns beat the Miura and none of the three is a deployable. The Yoshimura is a buckling mode a crushed cylinder finds for itself. The waterbomb is a traditional tessellation. The preliminary base is the base under half the classical repertoire, folded by children, and it beats the pattern that flew on a satellite.

Four patterns lose to it and none of the four is a deployable either. Two twists, a fold-and-cut construction and a tapered corrugation.

So the ranking has the built pattern in the middle with non-deployables on both sides, which is the strongest form the refusal can take: a figure of merit that puts its one successful instance fourth of eight has not measured what selected it. A rule that put the Miura first would at least be consistent with packing being the criterion. A rule that puts it last would be a paradox worth an essay. A rule that puts it fourth is a rule about something else.

That is a weaker claim than these essays made before the arithmetic was corrected, and it is a better-founded one. The earlier reading — that the Miura is the worst converter on the shelf by a factor of eighteen — was a striking number arrived at by multiplying by a sheet size without dividing by the pattern’s own width, and the striking number was doing the work.

What it is buying instead

The answer is in a sheet with one freedom, and it has nothing to do with how small the packet is.

The Miura folds and unfolds as a mechanism. Its whole patch moves through a continuous family of rigid states with one parameter, so pulling two opposite corners opens the entire array at once. That is the property a solar panel needs and it is the property nothing else on this shelf has: the Yoshimura is a buckling pattern that a crushed cylinder finds for itself, and it does not deploy — it collapses.

It folds into a flat rectangle rather than into a point or a line. Fifty-nine per cent of its panel pairs share ground, against the Yoshimura’s ninety-nine and the preliminary base’s hundred, and a shape that keeps two fifths of its pairs apart is a shape that stays rectangular. A packet is a thing that has to travel in a bay.

And neither of those is in the ratio at all, which is why the ratio has the Miura in the middle. A pattern is not penalised in this table for lacking a motion and not rewarded for having one; the table sees crease and layers and nothing else.

How much of a folded sheet lies over the rest of itFor every crease pattern this site prints at true scale: the pairs of panels that share ground in the folded state, the non-crossing rules those pairs generate, and whether an ordering of the panels was found, refused or ruled out.the bar is the pairs of panels that lie over one anotherThe preliminary base288 panels · 12 rules · an ordering existsThe Miura fold22824 panels · 228 rules · not decidedThe square twist369 panels · 48 rules · an ordering existsThe hexagon twist6613 panels · 96 rules · an ordering existsThe Yoshimura pattern205565 panels · 1187 rules · not decidedFold and cut — the triangle217 panels · 15 rules · an ordering existsThe tapered corrugation28228 panels · 351 rules · not decidedThe waterbomb tessellation92652 panels · 654 rules · not decideda pattern with no bar has no two panels over one another, and its order is not a question
Fig. 2 How much of each folded sheet lies over the rest of it. The Miura is the least stacked pattern here and the only one anybody builds, and this column separates it from the shelf where the packing ratio does not.

Where the length actually goes

The Miura’s six sheet-widths is worth taking apart, because the corrected figure overturns a reading these essays had of the pattern’s geometry.

A Miura of six columns and four rows has thirty-eight creases in the census, and they are segments between vertices rather than lines from edge to edge. Each horizontal segment spans one cell and each vertical one spans one row, so at six cells across, a segment is about a sixth of a sheet width. Thirty-eight of those is 6.2 sheet-widths, and the arithmetic has no slack in it.

The interesting part is the comparison. The Yoshimura’s eighty-six creases average 0.163 sheet-widths each; the Miura’s thirty-eight average 0.162. To three figures, the two patterns lay in creases of the same length, and they differ only in how many.

That is the opposite of what these essays said before the correction — which had the Miura’s average crease at 1.03 sheet-widths, longer than the paper is wide, and built an argument about grids whose creases run past their vertices. The grids do run past their vertices; the census does not count them that way. A crease between two vertices is one crease here, on every pattern, and the two constructions come out identical on the mean.

So the ratio is set by the number of creases and not by their length, which makes it a count in disguise — and the first of these essays of the crease-length sequence is about how counts and lengths disagree.

What the printed length actually isFor each printed pattern: how wide it is in its own coordinates, its raw crease length in those coordinates, the millimetres the shelf reported, and the millimetres it has when printed at its stated size. The two agree on the six patterns built on a unit square and disagree by the pattern's own width on the two that are not.the length a pattern reports, and the length a sheet of paper hassix of the eight are built on a unit square, so on those the distinction does not arisepatternown widthraw lengthreportedon paperThe Miura fold6.3739.36,6791,049out by 6.37xThe tapered corrugation1.187.81,2431,057out by 1.18xThe preliminary base1.004.8724724the sameThe square twist1.004.7704704the sameThe hexagon twist1.006.1916916the sameThe Yoshimura pattern1.0014.02,3802,380the sameFold and cut — the triangle1.001.7258258the sameThe waterbomb tessellation1.0014.32,2902,290the samea builder working in cells returns a pattern several units across, and not dividing by that is the whole of the error
Fig. 3 The pattern that flew, in the column that priced it. Thirty-eight creases and 1,049 millimetres of them at the printed size — fifth of eight for folding length — against the 6,679 the measurement reported before it was corrected.

Compaction is the wrong figure of merit

Stated as a design rule: a deployable is not chosen for its packing ratio, and the shelf makes that measurable rather than arguable.

If packing were the criterion, the Yoshimura would be the deployable of choice everywhere — sixty layers for a third of the folding. It is not used, and the reason is not obscurity: it is the pattern a thin cylinder finds for itself under compression, it has been known since the 1950s, and it reached this site’s own shelf as a found pattern rather than a designed one.

What it lacks is the motion. A Yoshimura has no useful continuous rigid folding: it goes from cylinder to collapsed and there is no controlled path between the two that a mechanism could drive. A packet that cannot be opened on command is not a deployable, however small it is.

So the ratio in the table is a measurement of one axis of a two-axis problem, and the patterns at the top of it are at the top because they are not solving the other one.

What a correction of this size does to a sequence

It is worth being explicit about which of these essays’ essays the arithmetic touches, because the answer is one of them and that is not obvious.

Folding that gets built lists what deployables do and quotes no length. From a shell to a solar array is chronology. The tube that gets built is about cylinders and their counts. What a second deployment costs and the crease count as a reliability budget both price the number of creases rather than their length, and a count is exact whatever the coordinates.

So one essay of six quoted the affected quantity, and it is this one. That is a property of the essays here worth noticing rather than luck: the essays that survive are the ones that price a count or a probability, and the one that did not is the one that priced a physical length. A length has a scale in it and a count does not, which is the whole of why the error had somewhere to hide.

The lesson for the essays above is not that they are safe but that they were never exposed. Every one of them would have been, had it multiplied a crease count by a length per crease — which is a thing the reliability budget very nearly does and stops short of.

What the exchange rate is good for

It is not useless — it is a cost, and a cost is worth knowing even when it is not the criterion.

It prices manufacture. Six sheet-widths of crease is six sheet-widths of scoring, creasing, perforating or embossing, and on hardware that is a process step with a length. A pattern with the same compaction and half the crease is half that step.

It prices error. Every crease is laid in with a tolerance and the errors are folded too, so a pattern with twice the crease has twice the length over which a placement error can accumulate. The rate is not the whole of that argument but it is its first term.

And it prices the choice between corrugations. The tapered corrugation at 0.79 and the Miura at 0.67 are both quadrilateral corrugations that fold rigidly, at similar compactions of 8.3 and 9.2 layers, and the difference between them is under twenty per cent. A designer choosing between them on this number is choosing on noise, which the table now says plainly and previously concealed behind a factor of four and a half.

How far a hand travels to fold each printed patternThe total length of crease in every pattern this site prints at true scale, in millimetres at the size it is printed. It runs from 258 mm to 6,679 mm, and it does not rank the patterns the same way counting their creases does.the bar is millimetres of crease at the printed sizea pattern with more creases is not always a pattern with more folding in itThe preliminary base724 mm8 creases · printed at 150 mmThe Miura fold1,049 mm38 creases · printed at 170 mmThe square twist704 mm12 creases · printed at 150 mmThe hexagon twist916 mm18 creases · printed at 150 mmThe Yoshimura pattern2,380 mm86 creases · printed at 170 mmFold and cut — the triangle258 mm6 creases · printed at 150 mmThe tapered corrugation1,057 mm45 creases · printed at 160 mmThe waterbomb tessellation2,290 mm76 creases · printed at 160 mmsix point seven metres of crease on a sheet seventeen centimetres across
Fig. 4 The numerator on its own, in millimetres at the printed size. One metre of crease on a sheet seventeen centimetres across is what the Miura’s motion costs, and the Yoshimura’s motionless collapse costs two and a third.

Reading the rest of the table

The other seven are worth a line each, because the ratio sorts them in a way that has a reason even though it has no predictive power.

The Yoshimura, 0.23. A triangulation: its creases end at vertices, it has many of them, and sixty layers come cheap. It folds to something with no motion in it.

The waterbomb tessellation, 0.46. Second best for the same reason, and it folds to something with structure rather than to a line — which makes it the entry closest to being a counterexample to the whole argument.

The preliminary base, 0.60. Eight creases, eight layers, and the shortest folding of anything that compacts at all. A traditional base outranking the pattern that flew is the clearest single sign that this ranking is not about deployability.

The tapered corrugation, 0.79. A quadrilateral corrugation like the Miura and within twenty per cent of it on every column.

The fold-and-cut triangle, 1.45. Barely compacts — 1.19 layers on average — because it is not trying to. It brings one line of the paper together and leaves the rest almost flat.

The two twists, 1.56 and 1.88. Three layers for five and six sheet-widths of crease. A twist is a rotation mechanism rather than a packing, and the ratio says so.

Nothing in the ordering is a surprise once each row is read, which is the useful property of a figure of merit: it should reward what it measures and be honest about what it does not. What this one does not measure is everything the field is about.

And the spread is the point rather than the order. From 0.23 to 1.88 is a factor of eight across eight patterns of five different kinds, which is a narrow range for a quantity compared across a base, two twists, three corrugations and a fold-and-cut construction. Patterns that do entirely different things convert crease into layers within a factor of eight of one another, so the quantity is close to being a constant of folding rather than a discriminator between designs — and a near-constant is the last thing anybody should be selecting on.

Folding length as a tessellation is subdividedOne tessellation drawn on the same sheet at increasing subdivision. The bar is the total length of crease; the note is the length per cell, which barely moves. A finer pattern is not a cleverer pattern — it is the same pattern more times, and it costs proportionally.the bar is total crease length on one sheetthe length per cell is nearly constant, so the total is the cell count2 × 24.14 cells · 1.032 each3 × 312.49 cells · 1.376 each4 × 424.816 cells · 1.548 each6 × 439.324 cells · 1.637 each8 × 684.748 cells · 1.765 eachthe paper does not change; only how many times the cell is repeated on it
Fig. 5 How much folding a Miura costs as the patch takes in more cells. The length grows with the cell count on a sheet that does not change size, so a finer Miura is a proportionally longer manufacturing step and a proportionally better packer — which is the one place the ratio does say something a designer can act on.
What the paper allows, against what the patterns askThe crease density of every pattern this site prints, beside the largest density each paper can carry before two creases are closer together than a crease is wide. Every printed pattern is inside every paper's ceiling, and the thinnest paper's ceiling is far above all of them.metres of crease a square metre: what each pattern asks for, and what each paper allowsthe pale bars are patterns and the dark ones are paperswhat foil-backed tissue allows641026 µm, a crease 0.16 mm acrosswhat washi allows416740 µm, a crease 0.24 mm acrosswhat kami allows238170 µm, a crease 0.42 mm acrosswhat copier paper allows1667100 µm, a crease 0.60 mm acrossThe waterbomb tessellation89printed at 160 mmThe Yoshimura pattern82printed at 170 mmThe tapered corrugation41printed at 160 mmThe hexagon twist41printed at 150 mmThe Miura fold36printed at 170 mmThe preliminary base32printed at 150 mmThe square twist31printed at 150 mmFold and cut — the triangle11printed at 150 mma crease occupies about 6 sheet thicknesses, so the closest two creases can be laid is that, and the ceiling is its reciprocal
Fig. 6 What the paper itself allows, against what each pattern asks. Every printed pattern including the Miura sits a factor of nineteen or more inside the densest sheet any of these papers can carry, so nothing in the numerator of the rate is anywhere near a material limit.

The twenty-five year lag, and what it is not made of

From a shell to a solar array records that the Miura was published in 1970 and flew in 1995, and that the same quarter-century gap sits between every folding result and the hardware using it. The gap is not ignorance: the pattern was known, understood and available the whole time.

An earlier reading of this table offered one small part of an explanation — that a pattern with nearly seven metres of crease is not a thing anybody makes at engineering tolerances, so the length was the obstacle. That explanation is now unavailable. The Miura’s printed pattern carries a little over a metre of crease, which is a third of what the Yoshimura carries and no more than any of several patterns a hobbyist folds by hand.

So the length is not what took twenty-five years. Whatever the gap is made of — tooling, materials, qualification, somebody deciding a satellite needed it — this measurement does not reach it, and the honest result is that a plausible contribution has been removed rather than added. A correction that takes away an explanation is worth as much as one that supplies one, and these essays are now short of an account it thought it had.

The proxy for the second axis, and what it rests on

Compaction is the axis this essay prices. The other one — whether the pattern moves — is not a number here, but it can be given a proxy that is.

How much of the folded object lies on the rest of it. The Miura’s panels share ground in eighty-three per cent of their possible pairs; the Yoshimura’s in ninety-nine, the preliminary base’s and the square twist’s in a hundred. A pattern whose every panel lies over every other has collapsed to a point, and a pattern that has collapsed to a point has nowhere left to move.

Read the column and the evidence for it is thin. The Miura is at eighty-three per cent and everything else is at ninety-nine or a hundred, so the proxy takes essentially two values on this shelf — the Miura’s, and everybody else’s — and the pattern that deploys is the one with the low value.

A proxy that separates one case from seven has been tested on one case. It could be measuring the thing it claims to, and it could equally be measuring that the Miura is the only pattern here that folds to a rectangle, or the only one drawn as a grid, or the only one anybody built. With a single discriminating row there is no way to tell those apart, and a rule fitted to one observation is a description of that observation.

What can be said is that it separates where the packing ratio does not, and that is a comparison between two proxies rather than a defence of either.

Still open: a figure of merit with the motion in it

The table prices one axis and the proxy shadows the other, and a design would want them combined.

The quantity nobody has written down is compaction times the probability that it opens, which the reliability budget computes for a pattern’s crease count and which this table’s numerator is the input to. A pattern with more creases packs better and opens less reliably, so the product has a maximum, and the maximum is at a fold count this measurement could supply. That is a one-line combination of two things these essays already has and nobody has taken it.

And the second axis wants a real number rather than a shadow. The honest measure of whether a pattern deploys is the dimension of its rigid-folding configuration space at the folded state — one for a mechanism, zero for a pattern that only flexes. Computing it for the eight printed patterns would replace the shared-ground proxy with the thing it stands for, and it would test the proxy at the same time, which is what a shelf of one discriminating row most needs.

The habit worth carrying is about rankings with one known good answer in them. Find where the already-trusted instance lands before reading the ranking. If it lands in the middle, the ranking is measuring something orthogonal to what selected it — which is more useful than a ranking that agrees, because it says the selection happened somewhere the numbers are not looking.

What this makes readable

Essays that name this one as a prerequisite.

Named alongside this one

Essays reaching for the same objects. Nobody chose these; they are what the concept index makes visible.

What links here

Every essay whose body links to this one.

The objects this essay names

Each one links to every other essay that touches it.

Crease lengthDegrees of freedomLayer countMiura-oriPacking ratioRigid-foldabilityTrade-off