Flap — where it appears
Named by 8 essays across one field — each of them below, with the objects they name alongside it.
A flap costs a circle
A flap of a given length uses up every point of the sheet within that distance of it. Two flaps whose circles overlap are asking for the same paper twice — and that one observation turned origami design from an art into an algorithm.
The flap nobody holds
An optimal packing is presented as an answer: here are the circles, here is where they go. For some numbers of flaps that is not what it is. The best arrangement of seven discs in a square leaves one of them free to wander over an eleventh of the sheet without changing the answer at all — and the algorithm reports one point of that region and stops.
A sheet with two edges
Design in this subject starts from a square, and the square's four edges are where every flap ends and every construction begins. A cylinder has two edges instead of four, and what a designer loses turns out to be measurable in the same letters a search counts — and what they gain is that the sheet is what gets manufactured.
The corner premium, with no corners
A square's corners are its most valuable paper: a flap placed there is claimed by a quarter-disc rather than a whole one, so the corner goes four times as far as the middle. A closed sheet has no corners at all, and the accounting that ranks sheet shapes by their corners has nothing left to rank.
A base needs an edge to point at
Every flap of a uniaxial base ends in a point, and every point is made of paper that came from the sheet's boundary. A sheet with no boundary has nowhere for a point to come from, and a sheet with half a boundary can only have points at the half it has left.
Every pair, not every circle
A uniaxial base is designed by packing a circle for each flap, and the circles are not the condition. The condition is that every pair of the subject's extremities be separated on the sheet by the distance between them through the tree — which for two flaps meeting at one point is the sum of their lengths, and for two flaps across a body is more. Circles are the case with no body in it, so a design read off circles alone is promised a base sixteen to thirty per cent larger than the sheet can give.
What the condition does not decide
A tree of seven leaves imposes twenty-one separations and eight of them bind. The rest are slack, the eight pin six of the seven leaves against the sheet's own edges, and the seventh can be moved half a per cent of the sheet for nothing. The requirement that looks quadratic is doing linear work, and what it leaves undecided is the part a designer is actually choosing.
The price of a limb is not its length
Lengthening an edge of a subject's tree costs the design some of its scale, and the amount can be measured by re-solving the arrangement. It is not proportional to the edge, and it is not the body that is dearest. On a bird whose wings are twice its legs, the head — nine tenths of a unit against the wings' one and six — costs three times what a wing costs, and two edges of a lizard cost nothing at all.
Named alongside it
The objects these essays reach for when they reach for this one.
DesignCircle packingTree methodUniaxial baseBoundaryConstraintGluingSheet shapeEfficiencyPacking efficiencyConservationContact