Underdetermination — where it appears
Named by 8 essays across 4 fields — each of them below, with the objects they name alongside it.
The excess does not choose its waves
A rim that has grown longer than its span has to put the extra length somewhere, and two large waves and eight small ones are the same metric — identical arc length, identical excess. Geometry fixes the family and is completely indifferent about the member.
The shadow does not name the pattern
A photograph of a folded model carries an outline and a thickness at every point of it, and that is the whole of what it carries. It is not enough. Crease patterns in genuinely different places fold to identical outlines with identical layer counts, and nearly a third of the folded objects a short strip can reach are reached by more than one pattern.
The flap nobody holds
An optimal packing is presented as an answer: here are the circles, here is where they go. For some numbers of flaps that is not what it is. The best arrangement of seven discs in a square leaves one of them free to wander over an eleventh of the sheet without changing the answer at all — and the algorithm reports one point of that region and stops.
Half the recipe is decoration
Every account of the Miura fold gives its letters as two instructions: the rows go one way, and the columns change letter every time they cross a row. Enumerate all sixty-four repeating rules and the second instruction is the whole of the condition — all four ways of writing the rows appear among the sixteen that fold, in every combination. The first instruction has never constrained anything.
The drawing does not say what is glued
One crease pattern, four sheets, four different answers to whether it folds — and nothing in the drawing distinguishes them. The identification is data the picture cannot carry, and the picture is the object this collection has been treating as complete.
No format has a gluing
A crease pattern file records vertices, edges, assignments, faces and layer orders. Every one of those is a feature of the paper's interior, and the boundary appears only as a kind of edge — so there is nowhere in the scheme to say that two boundary edges are the same edge, and the sheet a pattern is on cannot be written down.
The container picks the member
Two large waves and eight small ones are the same metric, and geometry has nothing to say about which. Bending has nothing to say either — it rises at every step of the family, so a least-bending rule always answers the fewest waves and never anything else. What decides is the container: amplitude times wave count is constant across the family, so a ceiling on the height is a floor on the number, exactly inversely.
Three marks see nothing
The measurement a rim cannot make is an interior one, and the obvious interior measurement — two marks a known distance apart, measured again after growth — cannot detect curvature at all, because a uniformly enlarged sheet changes that distance and stays flat. Three marks cannot either: any three distances obeying the triangle inequality are the sides of a flat triangle. Four marks give six distances, and six distances are not free on a flat sheet. The growth profile a rim measurement reads as flat misses by three and a half per cent with four marks at the rim.
Named alongside it
The objects these essays reach for when they reach for this one.
Crease patternGrowthMetricArc lengthBoundaryBucklingDifferential growthFold formatGluingNotationAssignmentCircle packing