Fold format — where it appears
Named by 6 essays across 2 fields — each of them below, with the objects they name alongside it.
The half no notation records
Every notation this subject has invented writes down the crease pattern or the sequence of folds, and the crease pattern is the half that does not decide the folded object. The field's interchange format has a place for the other half and nothing fills it in — including the files published here, which carry every vertex, edge and letter of a Yoshimura and none of the three hundred bits that would say which of its layer orders the folded object is.
The file records no verdict
A crease pattern file records vertices, edges and letters. Every one of the square twist's two hundred and fifty-six admissible letterings makes a perfectly valid file, and two hundred and forty-eight of them describe an object that does not exist. The format has a field for the layer order — the one thing that would settle it — and nothing fills it in, so a file is a drawing rather than a claim, and the field exchanges them as though they were claims.
The drawing does not say what is glued
One crease pattern, four sheets, four different answers to whether it folds — and nothing in the drawing distinguishes them. The identification is data the picture cannot carry, and the picture is the object this collection has been treating as complete.
No format has a gluing
A crease pattern file records vertices, edges, assignments, faces and layer orders. Every one of those is a feature of the paper's interior, and the boundary appears only as a kind of edge — so there is nowhere in the scheme to say that two boundary edges are the same edge, and the sheet a pattern is on cannot be written down.
The field is empty where it would say nothing
The interchange format for crease patterns has a field for the layer order and nothing ever fills it in. Filling it in where the folded states can be listed — four of the eight printed patterns, and Miura patches to twelve panels — finds that the preliminary base and both twists have exactly one folded state, so every one of the field's signs follows from the crease pattern and the field would record nothing a reader could not compute. The fold-and-cut triangle has two states. The Miura is different: every patch with three or more columns has several — three, six and eleven on the three-by-two, three-by-three and four-by-three — so on the pattern that gets built the field carries information from six panels up, and the field's size had been measured as log₂ of the panels' orderings, which on the preliminary base is fifteen bits for an object that has zero.
One choice with eleven answers
A folded state was proposed as a short list of free choices — which way a flap lies, where a rim panel sits — with the layer-order field's signs following from them. Listed exhaustively on every Miura patch small enough, the choices are never independent: every sign that varies is tied to every other through a shared panel, so the states are one choice with many answers. And there are more answers than the record said. The overlap test had a blind spot a third of a panel wide, and with it corrected the three-by-three Miura has six folded states, not one, and the four-by-three eleven, not five.
Named alongside it
The objects these essays reach for when they reach for this one.
NotationLayer orderingCrease patternFolded stateAttributionBoundaryGluingInformationStackingUnderdeterminationAssignmentCrease assignment